19 APRIL - 31 OCTOBER 2024

Julia Chamberlain, Touch Archive (Listening to Voicemail, Checking Calendar, Reading Map), 2015

© Julia Chamberlain, On loan from artist

The World in My Hand

Since its launch in 2007, the smartphone has revolutionized global communication and media use, becoming an indispensable part of our lives. The Alexander Tutsek-Stiftung’s new exhibition, The World in My Hand, traces the impact of the smartphone on contemporary art. The exhibition at the BlackBox features approximately 50 works by 35 artists, mainly glass sculptures and contemporary photography. Some of the featured artists are internationally renowned – including Erwin Eisch, Karin Sander, Cornelia Parker, Edward Burtynsky, Ai Weiwei, and Julian Opie – while others are emerging young talents.

The World in My Hand explores the smartphone as both object and aesthetic inspiration for artistic creation. It comments on public debates surrounding the many uses of smartphones: from always-on media consumption to digital detox, from swiping and matching to ghosting and blocking, from language atrophy to information overload, from resource depletion to status symbol.

 Most of the exhibits are loans from around the world. Five works come from the Foundation’s own collection (Erwin Eisch’s sculptures Im Traum höre ich die Gräser wachsen …, Daumen, and Windlicht as well as Alejandra Seeber’s Speech Bubbles and Ariane Forkel’s Casanovas Kabinett). Two part-glass sculptures were purchased especially for the exhibition (Jeffrey Sarmiento’s Encyclopaedia Warp and Shige Fujishiro’s McDonald’s – BurgerKing).

Exhibition venue

BlackBox
Georg-Muche-Str. 4
80807 Munich

Directions

Opening hours
Sunday–Thursday, 12–6 pm, closed on holidays

Exhibition podcast

Accompanying publication

Exhibition view The World in My Hand, Alexander Tutsek-Stiftung, München, with works by Rebecca Ruchti, Julian Opie, Edward Burtynsky and Aram Bartholl

© VG Bild-Kunst, Bonn 2024, Foto: NOSHE

Exhibition view The World in My Hand, Alexander Tutsek-Stiftung, München, with works by Julija Pociūtė, Ariane Forkel, Zeller & Moye and Katie Paterson and Rebecca Ruchti

© VG Bild-Kunst, Bonn 2024, Foto: NOSHE

The curators, Dr Jörg Garbrecht and Katharina Wenkler, have chosen a narrative approach to the exhibition. In eight chapters, they summarize various aspects and debates surrounding the smartphone, ranging from the launch date of our daily digital companion to its characteristic touchscreen and the contractions of time and space it enables. Deeply personal moments – such as Ai Weiwei’s selfie at the moment of his arrest or Sergey Melnitchenko’s photograph of his son during a blackout in Kyiv – appear alongside themes of perception and presentation of the self, as realized in the glass sculpture Stability by Julija Pociūtė. Other subjects include: looking for love online, as in Ariane Forkel’s Casanova’s Kabinett or John Yuyi’s Tinder Match; the complexities and pitfalls of digital communication, for example in the works of James Akers or Alejandra Seeber; and the smartphone as a means of staying in touch during pandemic lockdown isolation, for instance in the work of George McLeod. Edward Burtynsky’s photograph of lithium mines in the Atacama Desert calls attention to the topic of raw materials for electronic devices.

 The exhibition design, created by Berlin architects Ester Bruzkus Architekten, consists of eight themed rooms along a central axis. This arrangement recalls the origins of public art exhibitions in historic palaces, while the translucent wall coverings reference contemporary art installations such as those by Robert Irwin or Do Ho Suh.

By playing with the geometry of the space and materials specifically designed for the exhibition, the architecture offers visitors to the BlackBox a new and unique exhibition space and experience.

The exhibition is accompanied by a publication designed to resemble the former household item known as the telephone directory or “phone book” for short. Six writers have been invited to give us their expert take on the smartphone from the perspective of their respective fields. The book also includes a foreword by Dr Eva-Maria Fahrner-Tutsek and essays by Dr Jörg Garbrecht, and the exhibition designers Ester Bruzkus and Peter Greenberg.

With works by:

Tornike Abuladze

James Akers

Ai Weiwei

Kate Baker

Aram Bartholl

Tillie Burden

Edward Burtynsky

Yvon Chabrowski

Julia Chamberlain

Rachel Daeng Ngalle

Erwin Eisch

Ariane Forkel

Shige Fujishiro

Valentin Goppel

David Horvitz

Artem Humilevskyi

Gudrun Kemsa

Zsuzsanna Kóródi

Brigitte Kowanz

George McLeod

Sergey Melnitchenko

Jonas Noël Niedermann

Julian Opie

Cornelia Parker

Katie Paterson mit Zeller & Moye

Julija Pociūtė

Rebecca Ruchti

Karin Sander

Jeffrey Sarmiento

Alejandra Seeber

JanHein van Stiphout

Jolita Vaitkute

Sascha Weidner

John Yuyi

Jeff Zimmer